This technology is complex, but once the light is captured by the sensor’s pixels, it is then processed by two analogue circuits to a digital signal, rather than one circuit as with the GH5. The original GH5, as Rob says in the video, is the “King of most things” vs GH5S being specialized for low-light performance. Above that and the GH5s becomes noisy but that is a full 3 stops better than the GH5 which is impressive. For me the colour on this camera is closest to the Canon 1D C. The Sony and Panasonic need more of that digital edge taking off but they are good for when you want a more energetic, electrifying punch to low light shots. The Sony A7R III has a 42MP sensor vs just 10MP for the GH5S which makes the similar low light performance in 4K video quite mind-bending. What Is the Biggest Scientific Fraud of the Past 50 Years? Priced to fail and shackled to Adobe – The Zeiss ZX1. Panasonic says users can get up to ISO 51200 native with minimal noise, and up to ISO 204800 when extended ISO is use The opportunity was specifically designed by Panasonic to show off the GH5S’s low light performance, and consequently, the venue was the dim McKittrick hotel which is also the site of a popular adaptation of Macbeth called Sleep No More. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. As the Panasonic GH5s mirrorless camera, is the the slightly more expensive and more professional video orientated sibling of the GH5. Here I put the little nocturnal fox in the ring with the Sony A7R III, A7S II, Nikon D850 and the plain old ‘non-video-orientated’ GH5. The Panasonic Lumix GH5S is designed specifically for low-light shooting and supports a number of professional recording formats, as well as the connectors that one would ideally expect. “The Dual Native ISO Technology [with low range (400) and high range (2,500)] suppresses noise to produce cleaner footage when taken in all light. The entire range, including the extended settings, is available for stills and video. While the A7R III is a hybrid camera for the masses, the GH5S is like a pro video camera in a hybrid form factor. Specifically, I'm looking at the detail and perceptible noise on the skiff docked behind bridge, man walking on bridge, railing on bridge, etc. Best Telephoto Prime Lenses for Panasonic GH5S. The GH5s has no problem filming low light video at 3200. If I were Panasonic however, I’d have put a bit more differentiation between the two models. Quick Conclusion. The larger sensor is good to have too. The Panasonic Lumix GH5S is a new flagship compact system camera aimed at professional videographers. Hard to say. While the NX1's shot is certainly bright, everything else about its image shows how far ahead the GH5S is. Who wants a randomly creeping shadow in the corner? August 2, 2017 by Hugh Brownstone. What the Panasonic GH5S and Sony A7R III both have in common is that they are MUCH cleaner in Hybrid Log Gamma mode at ISO 12,800 overexposed by 1-2 stops, rather than shot in plain old Rec.709 standard color at ISO 6400. Back at CES, Panasonic announced a camera which is designed primarily to do one thing above all else: get the best possible low-light pictures and videos. The LUMIX GH5S includes cutting-edge C4K: 60p50p 8-bit, 30p25p/24p 4:2:2 10-bit, 4K: 60p50p 4:2:0 8-bit, 30p/25p/24p 4:2:2 10-bit recording with unlimited recording. You can argue that the Panasonic GH5 is a litmus test, telling us at least as much about the people who love it or loathe it as the camera itself. The GH5 features a 20MP Live Mos sensor which is currently the highest resolution you can … Building on the Panasonic Lumix GH5, the GH5S … Panasonic GH5 Real World Autofocus and Low Light Test (Kind of) Tweet. I also added the Nikon D850 and Samsung NX1 to the test video. Although you wouldn’t realise it from reading the specs online! The Panasonic Lumix GH5S is a new flagship compact system camera aimed at professional videographers. Instead it still hunts around far too often for focus in video mode, albeit a bit faster than the GH5. The first model since that camera to go back to the oversized sensor, and a locked-down one at that. Above that and the GH5s becomes noisy but that is a full 3 stops better than the GH5 which is impressive. Download the uncompressed version here. There is an obvious nonlinearity in the numbers. Proving that they can push the GH-series even farther into the video realm, the Panasonic Lumix DC-GH5S is a mirrorless Micro Four Thirds camera optimized for movie recording and low-light performance. This means that the GH5s still has a usable, clean image at ISO 6400 and 12800. In other words, DPR raves about low-light video with the GH5s, but I see the potential for stills too. The Panasonic’s midtones especially are richer, less blown out, and the whole photo features less noise and better white balance. That never used to be the case with the Sony cameras. I have a secret project planned for this camera and I am going to enjoy doing that, first though, I wanted to see if the GH5S fulfils pretty much it’s only obligation – the first ever Micro Four Thirds camera that is clean in extremely low light? The ‘Low ISO’ range from 80 – 800 and the ‘High ISO’ range from 800 – 51200. When viewed on a large monitor, it appears the GH5s begins to fall apart at ISO 6400. Yes, a full frame sensor helps but that is a HUGE difference in how many megapixels are crammed in. If only that tech could trickle down to a less premium camera model. This is an important consideration for a pro video camera and I expect the GH5S to find a home on high profile shows like this immediately. My first comparison came between the GH5S and my everyday shooter, a Samsung NX1 (not the most up-to-date rival, I know), with both cameras set to f/2.8 at 1/40th of second on ISO 6400. Panasonic Leica 200mm f/2.8 ($2,997): This Panasonic Leica 200mm f/2.8 is a big 400mm-equivalent super telephoto prime, developed in partnership with Leica, that promises sharp imagery and excellent handling.With a fast f/2.8 maximum aperture users can work in low-light conditions and create images with a shallow depth of field. Its mirrorless design enables the high performance, durability, mobility and low light gathering needed for professional Cinematic and Anamorphic 4K video production. The $2,500 GH5S, unlike the $2,000 GH5, features a 10.2-MP micro four-thirds sensor that captures half the resolution of its more affordable sibling in return for increased ISO performance. I didn't make the decision to purchase the camera, but it was purchased mostly for it's low light performance, due to houses being anywhere from dark as a … Looks like Phillip Bloom did a low light comparison GH5s vs A7r3 (s35 crop). But my concern is if I can acceptably intercut the two cameras for the interviews. provides a crisp live view and high visibility even in sunny shooting conditions. On the other hand, since Panasonic GH5S has 56% larger pixel area compared to Panasonic GH4, it has potential to collect more light on pixel level hence have less noise in low light / High ISO images. The next video is filmed on a Panasonic GH5s. It is a dual native ISO sensor in the GH5S and it shows. Underlining the low light improvement, the GH5S offers a Dual Native sensitivity range. It outperformed the full frame Sony A7R II easily in the split-screen at the same ISOs. GH5s gives a better lowlight image at ISO 6400, same at 12800, slightly less at 20000, 2 stops less at 102400. So the GH5S is much more like the GH2. He chose to focus on the same scene with each camera set as close to the same settings as possible. At the iconic McKittrick Hotel in Manhattan, Chris educates us on the multi-aspect sensor and its unique capabilities. ISO. It has a bright red record button that was a departure from the GH5, and its a lot lighter. A7Sii is applying a lot of noise reduction and giving us artefacts from 12800 upwards in low light. This is the kind of low-light prowess makes me want to grab this camera and take it everywhere, seeing just how often I can capture things in places I wouldn’t have dared to before. Unfortunately, we couldn’t actually test the claims Panasonic made of it’s new GH5S until recently. Now to ISO sensitivity. Roughly halving the resolution of the sensor means the GH5S should perform better in low light levels since the photosites in the new camera are roughly 1.96x larger than those in the GH5. In my opinion, the GH5S is a more specialized camera and less of an all-rounder than the GH5. Camera maven Philip Bloom took the cameras to the street to settle the "low-light king" debate once and for all, bringing along a Sony a7R III, Sony a7S II, and Panasonic GH5s for his low-light test. The GH5S is a camera which leans farther into the video capturing niche compared to the LUMIX DC-GH5, while the “S” in the new name stands for sensitivity – especially light sensitivity in low lighting that has been boldly billed as one of the main highlights of the camera. Exceptional low-light performance is a key capacity for professional videography, and you’ll enjoy this and much more with the new LUMIX GH5s!